About GTT
I have been listening and building music systems since 1995. That is where the judgment comes from.
We want you to enjoy the music long after the excitement of new equipment has passed. That starts with listening, choosing components that work together, and giving the room and the setup as much attention as the equipment itself.
You may be considering one component or a complete system. We begin with what you have, what you listen to, and what you want to improve. Our work is to help you make that choice well.
Distribution & Retail →The relationship with a manufacturer does not stop when I agree to carry the line. Several of them ask what I am hearing, and some of what I tell them ends up in the product.
Kronos, Mola Mola, Kubala-Sosna, and Master Fidelity have all evaluated products for production here — Mola Mola and Kubala-Sosna more than once. We listen in complete systems, in rooms I know well, and work through what a change does.
The relationships extend between the manufacturers, too. Kubala-Sosna uses six of the lines here — Kronos, Master Fidelity, TLA, Mola Mola, DeJitter It, and Vivid Audio. Kronos and TLA use each other’s equipment, and both use Kubala-Sosna. Vivid uses Mola Mola, and Mola Mola uses Vivid and Kubala-Sosna. The people behind these products listen to one another’s work. What I learn from those relationships goes into the systems we put together for you.
From the press
Designers and members of the audio press have visited GTT over the years to listen. These are some of their accounts.
“I can only say that this system is the best that I’ve ever heard.”
— David W. Robinson, Editor-in-Chief, Positive FeedbackOriginal article
“It feels more like someone built a beautiful high-end audio store with several custom-designed listening rooms then dropped a house on top of it.”
— Michael Trei, StereophileOriginal article
“This is where having a trusted and knowledgeable integrator like Bill Parish of GTT Audio becomes critical.”
— Dean Waters, Positive FeedbackOriginal article
