Independent perspectives on the manufacturers, components, and systems GTT represents. Here, considered reviews and informed conversations offer another view of the engineering and musical performance behind each selection.
“These products represent the most honest, authentic LP playback performance I’ve experienced in my five decades in and around this industry.”
— Greg Weaver, pt.AUDIO
Greg Weaver places the Perpetual within more than a decade of direct experience with Kronos designs. His review connects the counter-rotating platter architecture, resonance control, speed regulation, and supercapacitor power system to a notably quiet background, stable pitch, dimensional presence, and dynamic authority. It is both a technical examination and a long-term listener’s assessment of where the Perpetual stands in the Kronos lineage.
“You might be surprised at how good the front end to your DAC with streaming can sound.”
— Robert Taylor, The Absolute Sound
Robert Taylor examines the NUC-X as a purpose-built music server rather than a conventional computer pressed into audio service. His comparison with a standard Intel NUC focuses on the practical effect of DeJitter It’s power-supply, noise-control, and connectivity decisions, with particular attention to clarity, bass definition, and the contribution of Switch X within a complete networked system.
“It feels more like someone built a beautiful high-end audio store with several custom-designed listening rooms then dropped a house on top of it.”
— Michael Trei, Stereophile
Michael Trei places GTT’s residential setting in its proper context: a serious retail destination comprising multiple listening rooms, including a purpose-built reference environment refined over many years. His visit also illustrates the difference between hearing a statement loudspeaker at a trade show and experiencing it within a mature, fully optimized system.
“Bill Parish’s wealth of knowledge and system setup skills—seriously, this guy has at least seven rooms and they all sounded spectacular.”
— Grover Neville, INDULGR
Grover Neville’s report from the Vivid Audio Moya M1 premiere considers the entire GTT experience: the expertise of the people involved, the consistency among multiple listening rooms, and the preparation required to present a reference system at its full capability. His account also conveys something equally important—the warmth and humanity of the experience.
“This is where having a trusted and knowledgeable integrator like Bill Parish of GTT Audio becomes critical.”
— Dean Waters, Positive Feedback
Dean Waters identifies the principle at the center of GTT’s work: exceptional components realize their potential only when their electrical, mechanical, digital, and acoustic relationships are resolved as a complete system. His account focuses not simply on product selection, but on the judgment required to make every element support the whole.
“The GTT Audio room is an extraordinary sonic setting, a real world-class space.”
— David W. Robinson, Positive Feedback
David W. Robinson’s first visit to GTT documents the scale and preparation of the principal reference room during a major loudspeaker premiere. Beyond the system under review, his account captures why the environment matters: dedicated power, carefully resolved acoustics, appropriate room volume, and the ability to assess an ambitious system outside temporary show conditions.
